I remember telling Amanda how frustrated I was. Several of my “best” indoor church shots turned out underexposed. My first wedding was somewhat depressing; I tried so hard, and made no money. I spent over 100 hours photoshopping the images, and once I was finished realized that my monitor’s contrast was too high. This resulted in ghost-like spots on many of the darker images.
However, at some point in the months after this I learned a new trick. I had been bugged that some photographers could get such artistic shots in low lighting, and I couldn’t. The key is….. black and white.
When shooting digital, if you are going to err on any side of exposure, you should always err on the side of being underexposed. Highlights, or white overexposed areas, actually hold no color information, therefore digital correction is very difficult. Underexposed digital images still can hold good color information, which can be adjusted using various tools.
Now that shooting indoor weddings and events have become more common for me, I find myself adjusting underexposed images on a regular basis. On occasion, usually because the flash did not fire, or because flashes may not be allowed, I will have a very underexposed image; so much that basic color correction can’t help. I will show you a few examples.
At a wedding I was at this fall, I felt like the candid shot below was important; however, my flash did not fire, and it was too underexposed to return:

Using brightness correction tools (Curves in Photoshop) brighten it, however the colors are very distorted:

Simple solution; convert to black and white. I suggest using the channel mixer tool in Photoshop:

This is much better. In the above image I also increase the vignette to draw more attention to the center. I typically like to add a little color to create a warmer feeling. In the image below, I added a sepia photo filter with about 25% opacity, as an overlay layer to increase contrast, and then blurred some of objects in the front.

At this same reception, the room became more and more dark as the night went on and the sun went down. Here is another image that was important, but too dark to return “as is”.

Below you can see where I brightened the image; however, the colors are unacceptable.

A little black and white, topped with a sepia overlay layer, and some blur, and here we go:
